A.

  description

Pokémon Bonfire stories

    Features:
  • Four original stories to play though
  • Play the stories in any order you choose
  • Multiple protagonists to play with
  • TMs to collect in use in other stories
  • No need to choose starters or grind through any early game annoyances. Jump into the lives of established trainers

This is a complete walkthrough guide of the fangame Pokémon Bonfire Stories, with developer insights, so yes, there will be spoilers!

This game was originally made and released in 2016, for the Relic Castle game jam. This game is... nostalgic, for me. The whole premise was a conglomerate of spcific memories of mine, and although the itch is about scary stories, I really wanted to share that comforting feeling of being around a fire with loved ones. I already wrote about it in the thread back in 2017, so I'll copy paste this:

"Today while eating dessert it struck me that the last time I'd had peanut butter pie was at my grandparent's bonfire. A few people have said that the bonfire in Bonfire Stories has a really cozy/comfy feeling to it, and that makes me really happy to hear, because I based that feeling off my own that I got at my grandparent's bonfire every October. When I made BS I didn't know that I'd already gone to my last bonfire with them or that it'd already been the last time I'd have Grandma's pie... Some people may have noticed that while the player character looks like a lady, they're actually set as a male trainer in the metadata; it's not a mistake but just me telling a joke to myself. At the bonfire my grandpa would allways start the night by wearing a costume and often it was him crossdressing. This isn't in the current release, but in my working version of BS the default name for the player character is his. Grandpa allways said, "If I was as cute as you I'd have at least 5 boyfriends" so tbh the offscreen canon is that the player character has 5 boyfriends, I'm calling it. On a less depressing note, while the tone came from my grandparents, other aspects of the bonfire hub came from time with my friends. The setting is from a night we spent in a field far out of the city. It was so dark that our flashlights weren't much help, but the fire was bright and we had a couple of logs to sit on and roast hot dogs. On a different night we made s'mores in the backyard; that's where the stories an the characters really came from. In particular I remember Mimi telling a story about a dark hallway where we kept having to choose between 2 doors to go through, and then she'd pause after each choice as if remembering where that would take us (as if the choice mattered) and at the end the choice was between two doors leading to different deaths. Anyway it's been a year since BS came out during the last game jam, so even though this wasn't a development update I hope it's entertaining or interesting to ya. hopefully next time I'll show off some progress."


Years later I'd quietly make a post on the day my grandpa passed; I didn't really want to talk about it in the moment but it just felt like I should post something... he was my last grandparent. I couldn't go to his funeral thanks to a combination of the pandemic, and the way the rest of his community had treated me. Grandpa's wife, my grandma, wasn't related to me but they'd never made me feel any less than. It wasn't even untill I was an adult, sitting next to my sister and cousin at our grandparents' anniversay party, that I realized... no one recognized us. No one else at that party even knew that my grandpa had been married before. The grandparents who'd allways made me feel loved, kept a framed essay that I wrote at age 9 about our summer vacations in their living room, just... I guess never mentioned I was their grandkid to their neighbors, their church. When we went to our grandma's funeral my sister and I were the only ones crying, and no one even knew who we were. God that sounds pathetic but in the moment it was more embarrassing than anything. You'd think a funeral would be the one place it's socially acceptable to grieve but nah, everyone else there seemed horrified that a couple of "strangers" from out of town were carrying on in such a way. I just couldn't repeat that experience again for my grandpa so I wrote a dumb post on Relic instead.

A post from Relic Castle, in 2016. It reads, 'Well, today seems to be the day for updates and reflection so why not? Thanks everyone for your support, and just being interested in my weird little game. I don't really know where I'm going with it from here though... one of my inspirations for this game was the annual bonfire at my grandparent's house, and I'm really glad people have described the game as comfy, because that's the feeling I had there every year. That bonfire didn't happen this year, and it'll never happen again; the basics here are that I didn't get as far as I wanted with Bonfire stories before waves of bad stuff in my personal life started hitting me harder than I could deal with. Sorry for the vagueness, but this thread's about a game, not about me.' The rest of the post are about updates to the game, asking if people would prefer a release if it meant more content but that content hadn't been bugtested completely. A post from Relic Castle. It reads, 'F. Forgive me for bumping an old thread I just wanted a post. Here's a screenshot I don't think I've shared before; updated the bonfire hub awhile ago so you can leave, and it turned out pretty smooth.' Then there is a gif from the game depicting the player attmeping to walk away from the bonfire, only to somehow loop back around to it.

Okay, heavy backstory over!

The rest of this game's developement was me trying to absorb as much spooky stuff as I could, but it really wasn't untill I read this comment from Pap (post game release) that I realized why my scary stories weren't really hitting.

A post from Relic Castle by SmokedPaprika. It reads, 'Heya, Aki! I just wanted you to know that I finished your game, and I thought the stories were interesting, if not in need of a little fleshing out. I think the horror angle is always a fun one to pick for your writing, but in the case of some individual tales, they seemed to cut the stories short, as the tone that came before them was not one of stress or worry, and did not really build up suspense, but instead intrigue and curiosity. That's why I think the stories felt cut short by their twist endings - they felt less like horror tales of the Pokemon world, and more like... tales of the Pokemon world. but I did enjoy the concept and the execution of the idea, for the most part! The look of the game is extremely pretty, and I was blown away by some of the sprite work done for the project. I'd suggest letting the characters have a final conversation after completing every story and finishing the game at least to give the player a sense of completing - and then you can role the credits!'
It's because I like the mystery and intrigue of dark stories, but I'm just not really into the horror aspects, whoops!

There was one final goal I had when designing this game, and that was a personal challenge to use gen 5 tiles. At the time I was really unimpressed with them, and quietly judged the other games and public resources using gen 5 tiles as looking gray and dirty. So I thought by working with them I could come to appreciate gen 5 more, or at least make something gen 5 that I did like. Maybe it's silly to challenfe myself like this, but it keeps me interested! Plus I really thought that the more detailed and "realistic" (compared to using an artstyle from an older generation at least) look would be better for a horror tone than a more colorful stylized look.

Game start!

Booting up the game, the protagonist has already found their way into a secluded spot somwhere in the forest. I allways like to get stright to the gameplay without frontloading the player with a bunch of info and cutscenes, so almost immediately you get to choose which adventure to go on. just wakl p ro one of the characters around the fire and ask them to tell a story!

This could be in any order, but I wrote and developed 'Flashing Lights' first, so I'll be starting there.

Flashing Lights

This is the story we get to hear from Spencer.

The player asks for a story from the bald beatboxer standing next to the fire.

I think this story is almost everyone's favorite, at least from the feedback I've gotten. I'm really proud of it because this was definetely the most inspired story and the first one I worked on, but it'd be nice if I could get the other stories up to this level of quality. I mean, it's just a little lame that there's such a clear favorite. Let's get into it.

Flashing Lights has this nice little setup dialogue to establish the situation before throwing the player completely in. This scene was fun to put together.

A camper van bobs up and down as it moves along the sandy road.
The driving scene is just an animated autotile for the ground, and the camper van has a small bounce animation. The player's character has already been setup for the story, but are completely hidden by the camper van's graphic.

I think something this story has that the others are lacking is character connections like this. These two already have a relationship and can banter a bit. It gives the player something to care about.

Ellie asks how long the player has been silently standing next to her. The player's indicator hovers nect to, 'Long enough'. Ellie exclaims, 'GAH! Say something sooner next time Aki! Don't just loom over me like that!'.

There's a couple story seeds planted in this room already. If the player examines the Espeon on the bed, their character muses if the poor thing is using its' psychic powers even while it sleeps. This Espeon is named Dealer, and belongs to Ellie, the protagonist's partner.

The other detail, which is a more obvious hint that there's already something amiss going on here, is hidden in the trashcan that the player can only access onve Ellie leaves the room.

The player examines the trashcan full of crumpled papers.
Yeah, something's off here. how could there be so many daily logs already?

I'm not sure most people notice this detail, but both here and during the opening scene with the camper van, the dialogue box was displaying in the center of the screen. I did this to show whenever there's a bit of a fourth wall break, and the storyteller is directly narrating something. At some points I'd considered doing this more often, like having the other characters from around the bonfire chime in more, or even throwing in an entire scene where the player briefly cuts back to the bonfire for some commentary, but I thought this might get a little confusing or could just ruin the tone.


As the player explores around town, there's not much going on but there is general sense of discomfort among all the townspeople. In one house, a psychic feels like he's suffering the side effects of using his psychic ability too much. In another house, a man asks for help on behalf of a little girl suffering from migraines. A woman stubbornly continues to care for her plants while waiting for all this strangeness to end. A man paces his home in the dark, unable to rest.

There's a library where the player can scan some of the shelves to fill out their Pokédex, but I actually crashed my game when trying to read the dex afterwords, oops!

The librarian repeats the exact same thing about both Pokémon in the room with him. In the final house, there's no humans but there is a trio of Elgyem watching TV together, how cute.



At the bottom of the map, Ellie is waiting for the player to check in with her.

Ellie asks if the player finished checking in on everyone .
Speedrun strat: You are fully capable of lieing.

Ellie and the protag head back to the camper van for the night, and Ellie reveals that Dark-Type Pokémon aren't suffering from the mysterious headaches that everyone else has. Her theory is that the headaches are being caused by psychic powers.

For the record, she's right. Of course our protagonists don't know that yet but the player gets a glimpse at night.

The two scientists are in bed, but their Espeon and Umbreon are woken by the noises and lights shaking the van from the outside.
The lights outside are red, yellow, and green because those are the colors on Elgyem's and Beheeyem's fingers.

Most of what's going on in this story becomes pretty obvious by reading a few Pokédex entries, so I'll just list them here:

    Elgyem:

  • "Rumors of its origin are linked to a UFO crash site in the desert 50 years ago."
  • "It uses its strong psychic power to squeeze its opponent's brain, causing unendurable headaches."
  • "If this Pokémon stands near a TV, strange scenery will appear on the screen. That scenery is said to be from its home."

    Beheeyem:

  • "With its psychic powers, it rewrites its opponents' memories. You, too, may have already had your memories rewritten."
  • "Apparently, it communicates by flashing its three fingers, but those patterns haven't been decoded."
  • "Sometimes found drifting above wheat fields, this Pokémon can control the memories of its opponents."

'Flashing Lights' is a story of a first encounter with Elgyem and Beheeyem, and our protagonists are already stuck in a kind of time loop caused by the Pokémon interferring with their memories. Ellie and the player character are suffering the least of the effects so far because their own Pokémon have been able to protect them, but they can't continue like this forever. Only the player's Umbreon is completely immune to psychic influences.

Thanks for reading! :)


Full game credits:

Other help and special thanks:

Special thanks to Ava for being an excellent, A+ playtester

All of Relic Castle; every single person who's ever offered encouraging words or taken the time to write serious critiques, you make the fan game community a wonderful place that I'm so happy to be a part of.

Big huge thanks to everyone mentioned on this credits list. Whether we're best friends or never met, your work is appreciated.

And thank you to all of my friends; you allways brighten my day just by existing, and make me want to do my best.

ONLINE - 1

Lurker




OFFLINE - 1

Aki